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Friday, October 7, 2011

Richard Harland on Writer's Block


Every week from now on I'll be inviting an Aussie writer to blog about books or writing. First out of the blocks is the amazing Richard Harland, who had writer's block for 25 years! But he's since had fifteen novels published, won enough awards to fill a treasure chest, including two major French awards this year – the Tam-Tam je Bouquine and the Prix Lucioles – and has had a big international success with his YA novels, Worldshaker and its sequel, Liberator. Over to you, Richard –


Writer's block! Tell me about it! I could write the book about not writing the book. I had 25 years of writer's block, and I remember all the little excuses, the spiralling self-doubt, the gnawing guilt. I went through every twist and turn of it.

So here's the fruit of all my years of living with writer's block: DON'T BE INSPIRED! I mean it! Inspiration isn't what you need to get over writer's block; it's what you need to stop thinking about or you'll never get over it.

Not-feeling-inspired-right-now is the greatest of all excuses for not writing, the greatest cause of self-doubt and guilt. Waiting for that magic moment to come before you set pen to paper, fingers to keyboard—forget it! Write like an angel but think like a drudge. Start work at a set time of day, keep working for a set number of hours per day. It doesn't matter how wonderful your personal writing experience is or isn't. All that matters is the story out there.

Let's face it, the story is bigger than you, and much much bigger than any one day's writing. Start writing and, if it's out there, by and by it'll start flowing through you again. After all, one of the meanings of 'drudge' is 'servant'. Fot me, it really helps to think of myself as the servant of my stories.

I'm not sure about poets, but I reckon any aspiring novelist who's hung up on creativity as a ego-boost will never get beyond the aspiration. (And there are plenty of ego-flattening experiences to go though when you do finish that novel and you do get published!) One of my problems though my 25 years of writer's block was viewing myself as a poet and cultivating a Romantic-sized ego. Bad start!

I have a few smaller tactics for beating the block, tactics I've also described in my 145 page guide to writing, http://www.writingtips.com.au/.

Firstly, set yourself a time to finish writing every day and stick to it. That way you'll have something you can't wait to to come back to the next day.

And when you come back to it, don't re-read what you wrote yesterday—or slip into trying to improve it. Revising backwards has a nasty habit of leading to smaller and smaller revisions until you disappear up your own fundamental orifice. Better to focus on what comes next.

But not too far ahead. It's so daunting when you look ahead after fifty pages and see there's still another four hundred and fifty to write. Be happy for the fifty you've already got under your belt, and even happier when you add five more, then five more, then five more again. It's wonderful, the steady way those pages mount up! You're half way through before you know it.

I'm about a third of the way though my third steampunk novel right now, and I realised today just how much I've changed since my writer's block days. Now I can write through a chapter and go on to the next even when I know what I've written has flaws. I used to be such a manic perfectionist! So that's my last bit of advice: don't be a perfectionist. And if you know how not to be a perfectionist, hey, you probably don't have writer's block anyway.

Richard's site: http://www.richardharland.net/ 




Great advice, thanks, Richard. 



Thursday, October 6, 2011

The Truth About Publishing – 2


PART 1. GETTING THERE

Lesson 1: Got expectations? Lower them

Feel free to write the most beautiful, thought-provoking words in the English language. The public will feel equally free to ignore them.
Here’s the sad truth: most people who write a book will never get it published, half the writers who are published won’t see a second book in print, and most books published are never reprinted. What’s more, half the titles in any given bookshop won’t sell a single copy there, and most published writers won’t earn anything from their book apart from the advance.
Ah, but now I can do them myself as eBooks, I hear you say, and keep all the profit. Well, yes you can, but so can everyone else. Ten years ago, the total number of titles published per year in the US, in all categories (fiction and non-fiction), was around 250,000. In 2010, according to http://www.bowkerinfo.com/ the number of titles is estimated at 3.1 million. Nearly ten times as many titles, yet the size of the reading market isn’t changing, therefore most of those titles have to be selling approximately zilch. And in a few years time, with a frenzy of self-publishing, it could be 6 million titles, or 10 million. The arithmetic of declining sales per title is relentless.
So don’t expect anything from your writing apart from the personal fulfilment of having learned your craft and created a work that didn’t exist before. By all means hope to get published, or publish yourself if there’s no other choice, and dream of having a bestseller or even a long string of them – people do, after all. But writing talent isn’t nearly enough; thousands of people have it. 
To succeed, you have to write the best story you possibly can, for the genre you’re writing in, and be professional in every other way. It’s the writers who work hardest at every aspect of their craft, and never give up, that get there. And when you do, enjoy the adventure while it lasts, but don’t expect it to last forever. It probably won’t, because only a handful of writers have careers lasting more than a decade or two.
A rare few will ignore all this and succeed, but they’re the lottery winners. Everyone else has to work at it. Just don’t expect success or you’re bound to be disappointed. If you write books that sell, your publisher will love you. If you don’t, it’s goodbye, no matter how much your editor loves your writing.
Tomorrow's post – 
Lesson 2: Anyone can do it, ha!



Wednesday, October 5, 2011

The Truth About Publishing - 1


Many years ago I wrote a long, detailed article called The Truth About Publishing which set out to explain to beginning novelists how the business of writing and publishing works – basically, to answer all the questions I had when I began writing. The article is sadly out of date now, and publishing is changing at phenomenal speed, so over the next month or two I'm going to bring the article into the modern age.
The biggest problem for new fiction writers is that no one tells you how the system works. Becoming an author, and even a successful one, is therefore a series of shocks as your assumptions are punctured one by one. So here, distilled from my experience with more than twenty publishers around the world, and conversations with many professional writers over the last decade and more, is the truth about fiction publishing. Well, popular fiction anyway – the stuff that sells.
This article isn't an attack on publishers. A number of prominent writers have recently advocated that authors abandon traditional publishing and simply publish their books themselves, as ebooks. For example, http://jakonrath.blogspot.com/ 
I'm not one of them. The barriers to self-publishing have dropped a lot in recent years, but acquiring all the industry knowledge and taking over all the benefits and services provided by traditional publishers (editorial, design, sales, marketing, strategic understanding of the book market, etc) is hard work and incredibly time consuming. A handful of authors have made a lot of money self-publishing, but invariably these authors are (or have become) professional self-promoters. While every author needs to promote, few can ever be professional self-promoters and, if you become one, you'll have little time to write your books. 
The best way to promote your work is to write great books. As literary agent Don Maass puts it – 'The secret to success is simple – please your readers on a regular basis'. http://www.maassagency.com/books.html
After you've written that great book, I still believe that the best way for most writers to succeed is to work with a publisher. Though always remember that, like you, publishers are in business to stay in business (ie make money) and, if your books don't sell, you're out.
If you’re just writing for the money, in subsequent posts I'll be explaining how much (in most cases, how little) you get. And ways to make more.
If you're writing for the glamour, you’re in for an awful shock. For a taste of the brutal reality, see Mortification: Writer’s Stories of their Public Shame (Ed. Robin Robertson, Harper Perennial, 2003). This book details the public humiliation and ignominy heaped on 70 mostly well known writers while trying to promote their books. If it happens to them, it's bound to be worse for a beginning writer. If you can't take that kind of treatment, reconsider whether you really want to be a writer. 

I don't intend this series as a guide to all conceivable forms of fiction publishing. I'm mainly concerned with publication by traditional publishers (print or ebook). The barriers to publication have dropped so far that anyone can write a book and publish it, and good luck to those who want to. But at least traditional publication acts as a filter – books have to meet some quality standard for content, and they have to be professionally edited and presented.
Tomorrow I'll begin with Part 1: Getting There
The first post (of about 40 that make up the full article) is called Got Expectations? Lower Them.



Monday, October 3, 2011

My Ebooks and Audiobooks

People constantly ask me about availability of my ebooks and Audiobooks. 


Ebooks
In Australia, The View from the Mirror Quartet, The Song of the Tears Trilogy and most of my Runcible Jones books are available as ebooks, eg from http://www.angusrobertson.com.au/search/Ian+Irvine/mediatype/EBook/ Note that these are epub or computer/mobile editions. To read them on a Kindle you need to convert them to .mobi format, which you can do this way: http://techsupport.foreverwarm.com/how-to-read-epub-books-on-your-kindle


In the US, The View from the Mirror Quartet is available as ebooks, eg from http://www.barnesandnoble.com/c/ian-irvine


In the UK, none of my books are available as ebooks yet although this should change soon. 


The first editions of my Human Rites eco-thrillers are available worldwide from Amazon.com. http://www.amazon.com/Last-Albatross-Irvine-trilogy-ebook/dp/B004I5BUTS/ref=sr_1_1?ie=UTF8&qid=1317641138&sr=8-1


Vengeance will be available both as an ebook and print book from the release date, which is November 2011 in Australia and April 2012 in UK/Europe and US/rest of the world.


More of my books should be available as ebooks soon. I'll keep you posted.



Audiobooks
The acclaimed View from the Mirror audiobooks are available from Amazon http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-text&field-keywords=Ian+Irvine&x=16&y=21 


Also from Audible.comAudible.co.uk, and iTunes, http://www.apple.com/au/itunes/


Vengeance will be available as an Audiobook on CD or MP3CD from the publisher, Bolinda Audio, from late November 2011: http://www.bolinda.com/aus/search/results.aspx?%2F1%2F-%2F10%2F0%2F1%2F1%2F1%2F1%2F1%2F4%2Fian+Irvine Audiobook downloads from the usual places will be available sometime after that.



Win an IPad 2

There are only 12 days to go in my Win an iPad 2 competition.





From September 3, 2011 to October 15, 2011, Like Ian Irvine's Facebook author page for a chance to win an Apple iPad 2 Wi-Fi 16GB

NSW Permit Number LTPS/11/07962
For legal reasons, Australian residents only




Appearances

I'll be talking and signing books at Armageddon Expo, Melbourne, October 22-23, 2011.


I'll be returning to the Supanova pop culture expo in Brisbane, November 4-6, 2011. I'll be on panels and signing books, including brand new copies of Vengeance,http://www.ian-irvine.com/taintedrealm.html on the Dymocks stand on  Saturday November 5 and Sunday November 6.
http://www.supanova.com.au/


For more about me and my books: http://www.ian-irvine.com/
To say Hi, talk about books and writing or enter my Win an iPad 2 competition (closes October 15, 2011): http://www.facebook.com/ianirvine.author

Saturday, October 1, 2011

Australian Publishers Looking for Manuscripts

Every week I'm asked about suggestions for publishers. Here's where to start (info current as at October 2011).


1. LITERARY AGENTS
Not all Australian publishers are open to unsolicited submissions, though all are accepting submissions from literary agents. To find a literary agent, which can be very hard to do, begin here (there may be others not on this list):
http://austlitagentsassoc.com.au/


2. PUBLISHERS CURRENTLY TAKING UNSOLICITED SUBMISSIONS
The following Aussie print publishers are presently taking unsolicited manuscripts. Make sure you check their submission guidelines carefully. And before you submit, see my earlier post, What Publishers Hate:
http://ianirvine.blogspot.com/2011/09/what-publishers-hate.html


Allen and Unwin, adult fiction and non-fiction (Note that presently they are NOT accepting unsolicited submissions for children's and YA fiction), through their longstanding Friday pitch:
http://www.allenandunwin.com/default.aspx?page=462 


Pan Macmillan, which has just started a similar thing, Manuscript Monday:
http://www.panmacmillan.com.au/manuscript_monday.asp  


Penguin Books Children and Young Adults Div(this is the division of Penguin that published most of my epic fantasy novels). Note that the adult division of Penguin books is NOT accepting unsolicited manuscripts.
http://www.penguin.com.au/getting-published 


Hachette Australia is accepting submissions for children's picture books and Young Adult fiction (but are NOT accepting unsolicited submissions for adult fiction):
http://www.hachettechildrens.com.au/submissions/ 


Random House Australia are only accepting submissions from unpublished authors in certain circumstances. See here for adult fiction:
http://www.randomhouse.com.au/FAQ/#UNSOLICITEDMANUSCRIPT
And here for children's fiction: 
http://www.randomhouse.com.au/Default.aspx?Page=General&Section=submissionguidelines


Scholastic Australia are accepting submissions for children's books though the wait will be lengthy. Note, Scholastic don't publish books for adults. For submission guidelines:
http://www.scholastic.com.au/corporate/manuscript.asp 



A new, independent Aussie spec fic publisher of ebooks, Hague Publishing is looking for manuscripts.

http://www.haguepublishing.com/


3. ADVICE, ASSISTANCE AND SUPPORT
There are many other publishers in Australia. See http://www.bookdoctor.com.au/fiction.html for a more comprehensive list. See also the Australian Writer's Marketplace for a detailed guide to writing and publishing networks, opportunities and markets, with over 2100 current listings in print and online.
www.awmonline.com.au


The various state writer's centres provide writing courses and events where you can meet professional writers, seminars, advice and mentorships, and can put you in touch with manuscript assessment services:


For more about me and my books: http://www.ian-irvine.com/

To say Hi, talk about books and writing or enter my Win an iPad 2 competition (closes October 15, 2011): http://www.facebook.com/ianirvine.author